Seattle: Smiling Bag Lady

Today, I am having a bit of a blue day, a day in which, by 10:15 in the morning I had already called myself “stupid” and gotten a gentle reprimand and hug from my husband. Anyone else ever have those days, when you feel like nothing you do is going to work, none of the dreams will come to fruition, that you can’t match the success of others? I do. That’s today.

So I went to look at my photos. I do that often, my pictures remind me of good stuff, important stuff. I bumped into this lady in a pocket park in Seattle on a day that my husband and I were wandering around aimlessly, looking for a spot to eat the picnic lunch we’d just bought at the Amazon Go store.

She’s humorous, smiling and a bit wiry, sitting beside her own bag. We enjoyed our lunch with her company. Seattle is a great city.

I think I will go have a good day. Not going to say great- I don’t want to place undue pressure on myself- but good. That’ll do.

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Middle-Class Gratitude AKA “bougie kthxs”

I just had the most lovely afternoon.

Houston, Fieldings Kitchen + Bar, July 2015, pizza
The margherita and a glass of wine at Fielding’s

It began with a sunny drive during which I listened to a podcast I love, Astonishing Legends. Scott and Forrest were doing a deep dive into the exorcism case of Anneliese Michel, a gripping story that kept me alert as I drove to one of my favorite restaurants, where I ordered a really yummy Pinot Grigio and Margherita pizza.

Next, I strolled to the spa, where the chipper and absolutely beautiful, trendy young women who checked me in loved my coral shoes and saffron lace kimono. I was wearing my Gaimo espadrilles. Made in Spain, they are not shoes I could typically afford, but I found them on sale at Marshall’s for about $26. The young ladies gushed about my footwear while I drank the chilled coconut water that they brought to me.

 

Then I enjoyed a facial with some sort of “skin brightening” treatment that is meant to begin the herculean task of minimizing the sun damage from all those teenage years of slathering baby oil on my skin, setting a lounge chair in a kiddie pool filled with reflective water, and sizzling while listening to Madonna and Wham! on my Sony walkman. The room smelled like every perfect flower and herb, music was soft and soothing. I am new to the facial thing, I was given one as a gift in December, then decided to keep them up. At fifty-two years old, my skin is now paying the price of my misspent youth. I’d like to save it if possible.

 

I explained to the aesthetician that I was new to the facial thing because, well, you know how moms always put themselves last, aw-shucks.

The aw-shucks attitude was a facade, though. My hesitation to treat myself has deep, old roots, like a gnarled, ancient oak.

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I was a poor kid. I shouldn’t have been, my dad was a CPA, which is a job with a good salary. But my mom was a drug addict and my dad wasn’t great at managing a household income in which the spending was spinning out of control. We kids did without a lot. I don’t just mean we didn’t get Disneyland trips, though those were as impossible to contemplate as a trip to the moon. No, I mean we did without enough clothes and dependable electric service. Daddy worked two jobs, laboring twelve or more hours a day, so our lawn was always overgrown; when I walked home from school with friends, I stopped at the corner of my street and waited for them to get far enough down the block that they wouldn’t see which house I entered. I was deeply ashamed of its unkempt appearance. Sometimes our house was filthy and had bugs crawling all over.

When I was in fifth grade and was chosen to dance in the “June is Bustin’ Out All Over” number for our spring concert, we were asked to wear a solid color pastel tee shirt. I didn’t own one. We couldn’t buy one. A simple top that would have cost no more than $5, quite possibly less at the local TG&Y was out of our reach. The morning of the concert, our music teacher, Mrs. Bell, asked us to show the shirts we were wearing with our skirts made of green paper leaves, and I had to confess, “Mrs. Bell, I don’t have one. My dad doesn’t have the money to buy it.” Do you know how humiliating that is for a child? She was as gentle as a teacher can be when she is thrown a curveball on the day of the big show and arranged for me to borrow from a classmate. Daddy drove me to their house when he got home from work and I had a lilac tee shirt to wear for the concert.

So my espadrilles from Spain mean something to me.

Now I live in an affluent master-planned community. It’s one of the first that was developed in the country, actually. My aunt and uncle moved into this community when it first opened in the late 1970s, and when I visited them for an Independence Day family gathering, I fell in love with the neighborhood’s trees, bike paths, and park fireworks. To be honest, I fell in love with what upper-middle-class cleanliness and architecture looked like; I wanted to move here when I grew up. I finally got my wish when we bought a house in 2017.

I don’t reside in the most affluent part of the neighborhood, our community has homes that range in the millions, owned by oil executives and professional basketball players. I live in a modest (by community standards) 2500 square foot home. It’s fifteen years old and we haven’t updated any appliances or floors. I don’t care. It’s bright and clean, my tiny well-manicured yard is lush and green, and there are flower beds and a screened-in sun porch. We’ll get around to changing out the carpet at some point, but it’s not a priority. I don’t drive a Jaguar, I drive a late model Ford Escape.

But here’s the thing: when I walk into a restaurant in this utterly white-bread upper-middle-class town, I look like I belong.

You know what that makes me? Grateful. Grateful beyond what can be described.

After years and years of deprivation, then joining forces with my husband to do the work to get financially stable, I am, quite simply, grateful.

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A bench at the park by the entrance to my neighborhood, there are 130 parks in our development.

Recently, I encountered a man on our neighborhood’s Facebook group, he was going on about how people who live where we do should not have to deal with rude salespeople in the mall. I questioned him: “The right to common courtesy isn’t limited to people living in ——–. Maybe I am misreading your intent.” No, it turns out I wasn’t. He doubled down, speaking of entitlement and property values and expecting a certain level of service because we all pay a premium to live here. This attitude of superiority and exclusivity rears its ugly head pretty often where I live, to be honest. Sometimes I just want to say, “Neighbors! Friends! Notice our parks and the crews who work so diligently to keep our little hamlet looking pretty! Look beyond your tax rate and resale values to see the people who do the work! And know that it’s all, every bit of it, temporal.”

I was deeply bothered. Perhaps it’s because I came from little, perhaps it’s just my nature, but I can’t respond to the gift of living in this place with anything other than gratitude and joy. Accumulating possessions and running a race to beat others doesn’t resonate with my soul.

Gratitude is, I believe, a spiritual practice. To notice one’s surroundings and be thankful is to nurture one’s own soul; it enables us to walk in a way that opens us to the gifts the Divine One bestows. When we are grateful for shelter, food, transportation, and even amenities, we are ready to receive all the abundance the Universe has to give. More importantly, though, we are able to hold loosely and share graciously. Our priorities shift and we become equipped for seasons of less.

Sometimes I think the residents of my town don’t really know what it is like to be that poor kid who just wants to have a lilac-colored tee shirt to take for the school concert. That’s going to have to be their journey, though. Mine is to just walk an authentically grateful path, to recognize the gifts I have been given, and to share what I can along the way.

What are you grateful for?

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Short and Sweet: A Lunar Love Letter

It’s a big day for the moon; or more specifically, it’s a big day for humanity’s relationship with the moon. Fifty years ago today, Apollo 11 landed Neil Armstrong and Buzz Aldrin on the moon while Michael Collins flew the command module in orbit. American kids have watched the spine-tingling recordings of Neil Armstrong since we were old enough to sit still, eyes wide:

https://www.cnn.com/videos/us/2019/07/18/apollo-11-moon-landing-scn-orig.cnn

It took some 400,000 people, working together, to make that miraculous trip possible. Collins said in the Google doodle dedicated to the anniversary that when the astronauts journeyed around the world, the refrain was “We did it. We did it.” Our common love for that beautiful orb and for the courage and ingenuity of our brothers and sisters connected us.

Being a Houstonian, I have visited the Johnson Space Center and stared at the moon rocks, nearly unable to comprehend the distance those rocks traveled. The module the men were in is so tiny, it’s hard to conceive of the courage it required to suit up and shoot beyond Earth’s atmosphere with so little protection.

Last Tuesday evening, after a busy day working, babysitting my grandkids, exercising, folding laundry, and writing, I wearily trod upstairs to my bedroom to soak in a warm bath and go to bed. The blinds in my bedroom were open and the bright, silvery light of the moon caught my eye. I stood at the window, just drinking in her beauty, breathing, and allowing my spirit to settle.

A little later, face washed and teeth brushed, I climbed into my cool percale sheets, fluffed my feather pillow, and curled up with my iPad for a few minutes on Facebook before reading myself into sleepy oblivion. My friend Kyle had posted this lovely, eerie photo:

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Isn’t it heavenly? I commented, “I  stood at my bedroom window to watch the moonrise tonight. Beautiful. Glad to know my sweet friend was watching too.” A few minutes later a mutual friend chimed in from New York City, she had also been taking in the sublime view from her hotel room. Three friends, touched by beauty, connected by a celestial light.

The moon connected the human race in a vast way in July, 1969. She connected three friends in a small way in July, 2019.

We often tell children to wish upon a star. I love the song from Pinocchio, it’s a perfect message for children about having the courage to wish. But tonight, on this momentous anniversary, I am going to wish upon the moon:

I wish that we can love each other more.

I wish that we will learn to listen better.

I wish that we will allow grace to scatter its beams into the dark corners of our lives.

I wish that the moon’s glittery light will light a lost one’s way home.

I wish.

What’s your wish?

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The Value of Art

Marketing Guru Extraordinaire Seth Godin says:

“What it means to make art isn’t always that you get to make a living. It might just be that you get to make a difference.”

As a creative soul who yearns to spend her days writing and photographing, it was a real gift to be relieved of the burden of earning money with it. How many of us artists have been asked, when speaking of our art, “How are you going to earn money with it? What’s the point wasting your time if you can’t make a living?”

Or the ominous: “Major in something practical.” I have heard the dreams of many students crushed with that advice.

The work of art makes the world beautiful, it soothes our collective and individual souls, it creates connection.

Creativity matters. Art matters. Make it.

dandelion 2 Photo above taken by me at Willie Nelson’s Luck Ranch, where artists of                               all kinds are celebrated at the annual Family Reunion.

Follow Seth Godin, who keeps me motivated and fueled to keep doing the work I am called and created for at:

https://seths.blog/

 

Short and Sweet: A Good Mom

I used to think of myself as having “given up” my young adulthood to be a mother. It was a sacrifice. Almost like a burden. I didn’t get the time that so many of my friends did to work for a while, get some money in the bank, maybe get a down payment for a house saved up.

I looked at it as my lost youth.

Not now.

I have had to make a major shift here lately. I had to because if I didn’t, I was going to move into this next phase with a lot of angst and resentment, kicking and screaming. Empty Nest is a big change. I had to shift or suffer, wasting the next 25 (hopefully) years unable to enjoy and appreciate what life was giving me.

So I am changing the way I think: I am glad I started motherhood so young! It means I get to enjoy this new phase while I am hip and healthy. I even have a nose stud.

And, more significantly, I am owning this thing that people keep telling me, but that I have had a hard time believing: I was a pretty good mother.

Spring, 1995(2)

When I became a mom, I had to figure it out. I hadn’t had healthy mothering in my childhood, so my tool box was pretty empty. I looked to relatives and friends’ moms to help me figure it out. Carol Brady, Samantha Stephens, and June Cleaver were role models. I didn’t have many peers to emulate; my best friend and I were the first in my college class to get pregnant. She and I had been roommates and pledge sisters, and we had our first babies just six weeks apart. She was just barely ahead of me on the question train: how to get the baby to latch on, when to add cereal, how to manage tummy aches, and such.

I am now the grandmother of a six month-old. I was not ready for this. Because I started my family so young, I was looking forward to the span during which my own kids were grown and independent, so I could be a little selfish with my time and resources. I thought I could pretend to be ten years younger and travel the world, just being indulgent and drinking pomegranate mimosas. Of course, that’s not how it worked. Honestly, when do our plans ever really go like we thought they would?

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When my daughter and her boyfriend left our house after they told us they were expecting a baby, I just leaned over into my husband’s arms and bawled, “I am not ready to be a grandmother.” “I know,” he sighed, “but are you ready to help your daughter be a good mom?” Of course I am. To do that, though, means that I must acknowledge that I was a good mom. It means I need to figure out how I did it. How I still do it. Because I am definitely not finished being a mom. Nowhere near it.

 

What’s a time when you really rocked your parenting? Maybe you created a memory, taught a life lesson, or protected your child. I’d love to hear it.

If you’re a mom looking for a tribe, try Hello Minder. It’s moms with a lot of love and a desire to help each other more-than-muddle through the mom journey:

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Speak Up…If You Can. Part Three.

Recently, I auditioned for a musical. Mamma Mia. It’s one of those show’s I’d really love to do. It wasn’t always, but as I moved into the casting category of MOM instead of ingenue, it became a show that really appealed to me.

It was the first singing audition I had braved in almost five years.

I have been telling a story over the last couple of weeks, a tale in which I, the lifelong vocalist, lost my voice due to a surgical mishap; in my last post, I described the agony of having two specialists confirm damage. There is a moderately happy ending to the whole thing, and I will get to that. Clearly, I couldn’t have auditioned for Mamma Mia if some sort of healing had not occurred. I did manage to do a couple of musicals after my throat was finally repaired, getting to that point was only possible, really and truly, because my husband was the director of the shows and he was willing to risk casting me.

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That first post-repair show, The Drowsy Chaperone,  wasn’t smooth sailing. I had rehearsed for the audition secretly, singing in private to build up strength and flexibility in the cord and in the muscles of the throat. I didn’t want to let on what I was doing, just in case I failed spectacularly. My voice had always been the source of my self esteem. It was my identity. Having lost it, I was bereft, heart broken, my confidence completely gone. So when I went to auditions and announced I was singing the big belt song instead of a simpler, easier one, I saw my husband’s hands clench under the table. He’d had no idea I might be up to this. I did it, I did it well, and that precious man cast me.

The show wasn’t easy, though. In the final week of dress rehearsal I was belting out one of my favorite songs I ever got to sing on a stage, “As We Stumble Along.” In my teal flapper dress, black bobbed wig, and feather boa I glided with ridiculously exaggerated fluidity, then I planted my feet to get ready for the next phrase. I took a deep breath, opened my mouth, and …nothing. Just a choked wheeze. Director/husband’s face froze in horror as I coughed and gasped, follow spot illuminating my panic in all its weird glory. The stage manager ran toward me with a bottle of water, and I drank, but I still could not squeeze a sound out of my throat. I ended the song with tears streaming down my face. There was no voice singing ridiculously hilarious lyrics, just a pitiful actress with drooping shoulders shuffling off the stage. The vocal cord damage I had labored so hard to overcome was my undoing, just two days before opening night, and I felt just as I had on the day I left the doctor’s office in September of 2011.

On that particular day, I cried all the way home because my throat was damaged; it got really quiet at my house, in my classroom, and in my spirit. As soon as the doc gave me the diagnosis, I cancelled an acting gig I had booked for the months of October and November. It put a burden on the show, I know it did. Blessedly, there’s always another actress waiting in the wings, and the show went on.

More difficult, though, was my classroom. I remember standing in front of groups of 30 or so students each day, trying to quiet them when the tardy bell rang. After a week or so of me standing at my podium, tears in my eyes and jaw clenched in frustration, waiting for rambunctious teens to quiet down, there was a change in the climate of my room. There were kids who realized how I struggled, and they began to get the room quiet for me. I lectured in a whisper, it was utterly exhausting. But then something happened: the students began to hush themselves, without a classmate doing it for me. Even the most stubborn, rowdy kids showed compassion and self-restraint, facing me with mouths closed when they heard the tardy bell. I wish I could say that behavior hung in all year, of course it didn’t. Freshmen and sophomores were particularly difficult to manage. In an effort to save expensive audio equipment in our auditorium, I screamed (an attempt for volume, not anger) at a couple of boys who were horse-playing on stage with our microphones. The pain of that attempt to push air and sound through my throat hurt as badly as anything I have ever, ever experienced. There was a day when, surrounded by misbehaving freshman boys, I couldn’t make myself heard, and I called the HR Department of our school district sobbing, they struggled to hear me as I begged for help on the phone.

Image result for prosthetic vocal cords

For twelve months, I couldn’t breathe without gasping, I couldn’t speak, and my soul simply went into hiding. I had ever been an introvert, but at least I had the power to speak when I wanted to. I could talk to friends. I could advise or comfort my kids. I could teach and act and express myself. I began to hear rumors of gossip, that there were “friends” who believed I was faking my silence as a way to garner attention or get out of obligations. I turned even more inward.

So I began to write. I look back now, at my first attempts at writing, and they amuse me. I had to develop the writing muscle with as much rehearsal as had ever been needed when I sang. While I was mute, I found my authentic voice. In that twelve months of early writing, it was the only way I had to communicate with the world. I started speaking my truth, because words were so precious and painful to articulate that I didn’t dare waste them on false flattery or needless babble. I learned even more powerfully that listening was the key to connection and leaning in to speak so that I could be heard enabled me to draw closer to the people with whom I shared space.

I learned who my true tribe was.

One year, to the day, after the spinal surgery that cost me my voice, Dr. B. implanted a silicone cord, it’s attached to the paralyzed right one. I could, once again, speak and sing, though with not as much power or range. I began to rebuild my confidence brick by brick, I shed relationships with those who had proven during my silent time that they could not be bothered to listen well. I performed in two musicals, then stepped away from the theatre world because it felt unhealthy. I didn’t sing for a long, long time.

Then came a show that tempted me enough to hazard an attempt. Mamma Mia.

That audition? I learned something. As I prepared a recording to send to the director, I kept breaking. My voice cracked, my eyes filled, my throat clenched. My daughter, who was coaching and recording me, observed, “Mom, it’s like you have all those years of silence straining to pour out. It’s all been so tightly held. Your creative spirit just needs the space to let go.” It took us an hour to get a take that I could send, one in which I managed to sing calmly through the one minute clip of “Take a Chance on Me.” That song choice was no accident. But it wasn’t the director I was begging to take a chance, it was my own wounded heart. I didn’t get the part, the director chose to take a chance with a different actress. That’s okay. It’s way more important that I take my own chance on me. It was, ultimately, an exercise in resilience. Gotta keep singing, speaking, and writing my story. You should, too.

 

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Is “Late Night” Worth Staying Up For?

I love Emma Thompson. I have loved her since the early 1990s, when Dead Again, Howard’s End, and Much Ado About Nothing were available on VHS so that I could rent them from Blockbuster and watch while nursing my babies and folding their freshly washed cloth diapers. Emma can play a solitary spinster like no other- even in her characters’ own marriages she radiates loneliness. Witness her restrained break to the strains of Joni Mitchell in Love, Actually. She breaks my heart every time.

I am less familiar with Mindy Kaling’s work, mostly because she’s of my millennial children’s generation. Mindy has built her resume’ in the way that new Hollywood works: write your own damn projects then produce them yourself. Don’t wait for some guy wearing a suit in his posh corner office to give you permission.

Which is exactly who Emma is in this film. The dude in the corner office, wearing a power suit. And I adored her. The film, too.

My eldest child, a daughter, recently visited from Los Angeles, and since Booksmart was not playing anywhere in Houston (Texans, we have got to get our acts together. We can have twenty screens of John Wick, but can’t spare one  little screen in the corner for an intelligent female-centric movie? Come on, y’all) we went to see Late Night instead. My daughter happens to be a female-writer-actor-producer-intern-production-assistant in LA right now, so she had a pretty specific mindset going in, that of the young-woman-trying-to-make-it-but-encountering-obstacles-while-she-climbs attitude. Plus, she loves Mindy K., whose career trajectory is one of her models.

In Late Night, written by Mindy K., an egomaniacal talk show host must fight to save her position as the star of an eponymous TV program. In Kaling’s script, the twist is that the host is a woman, and in 2019, this is still nearly as far-fetched as the premise of a teen web-slinger gallivanting around Paris. Irrelevant, though. Glass ceilings gotta break somewhere. Maybe if we do it in fiction first, those who wring their hands in misogynistic woe can get over it. Chelsea Handler (E!) and Samantha Bee (Comedy Central) are leading the vanguard on this, btw. They’re doing the work, they just aren’t household names yet.

Kaling’s script is dialogue-sharp, giving evidence of the comedic chops she honed while writing for The Office and The Mindy Project. Emma Thompson has the gloriously fun job of playing ballsy-just-this-side-of-pure-bitch. Her Katherine Newberry is too smart for the room, and has lost all patience with the men around her, with the sweet exception of her husband, played by John Lithgow. What I loved about Katherine was her complexity.

May I take a little side path for a moment? I happen to teach a film class at the local college, because I love movies and I love to dissect them. I don’t write reviews for the usual reasons, though. I review when I see a film that does modern women well; and I try to equip my students to answer this question from our very first class session is this:

What are we talking about when we talk about a movie being “good?” Or “bad?” We spend the semester asking the question: What were the writers and director and creatives trying to do here? Did they do it well? Measured in that way, we are free from our own personal tastes and able to assess a film based on what its makers meant to do. Of course, sometimes they do it poorly, and sometimes beautifully.

What was the team trying to do in Late Night?

I think screenwriter Mindy K., director Nisha Ganatra, and the entire ensemble were telling us a story of professional women excelling while lifting each other up. They did it well.

These women are real. Emma’s Katherine is prickly, she’s so sure of herself that perhaps only a woman of a certain age can sense the deep well of insecurity underlying every sharp retort, every expression, every fabulous outfit, of which there were many. I felt my own professional bruises every time she went to battle, especially when she faced off with the female studio head. The worst boss I ever, ever had was a woman.  Only an actress of Emma’s caliber could pull it off sympathetically.

Mindy K.’s Molly is brimming with the plucky optimism and opportunism of the go-getters of her generation. These young women have watched their moms and mentors kick stilettos at the glass ceiling. They see the cracks, and they are poised to tap gently or produce a battering ram, whatever it takes, to move upward.

Amy Ryan is fantastic as studio head Caroline Morton. If I had one complaint, it was that we didn’t see her enough. The romantic relationships are beautifully realized; John Lithgow is the conduit for us to see the tender side of Katherine and a long-lived marriage, while Molly’s awkward impromptu visit to her guy’s apartment has all the nonchalant embarrassment that I hear is exactly how dating goes in the millennial world these days.

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There is just enough ease in the film’s characters to make it fun to watch, with just enough tussle to make it worth an emotional investment. It was a perfect way to spend an afternoon with my daughter, it gave us lots of discussion fodder for what a joy  womanhood is these days, when the world is opening up to us. Sure, we owe a debt to Alice Paul and Gloria Steinem and so many others. But we also have to give mad props to the new feminists of the millennial generation, women who may not call themselves “feminist”  but who passionately believe in the freedom to choose one’s own path and earn equal pay. Those women are writing it and living it and laughing it and walking it, too.

If you’d like to hear several viewpoints on the movie, some really liking it, some not so much, “Pop Culture Happy Hour” just covered it on their podcast. Have a listen!

https://podcasts.google.com/?feed=aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA%2FaWQ9NTEwMjgy&episode=ZjQ5MmY0NjgtYmU2NC00MGNhLWI0ZGItMzQ4NDJhMzdiOTkx

 

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Cathedrals: Fifth of Series

I saved St. Patrick’s in New York City as the finale of the series because it’s the first cathedral I ever saw. I was raised in the suburbs of Dallas, where evangelicals dominate the religious life of the community, and smaller church homes were the norm. Dallas suburbs haven’t really been around long enough to have storied, historic cathedrals. But a visit to the Big Apple opened my eyes to a whole world of diversity and art. I love New York City more than any other in the world.

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One of the things I appreciate about St. Pat’s is how crowded it is, tucked in among the Fifth Avenue crush of skyscrapers and traffic lights, cab horns blaring, tourists gaping, and black-clad New Yorkers hustling to work. It’s not quiet inside, one doesn’t feel an immediate hush inside its walls. Nevertheless, holiness is there.

One might wonder why, if I have left behind organized Christian religion, I have been photographing and visiting cathedrals. What draws me, beyond the intricate gothic architecture, the turrets and gargoyles and limestone? It is simply this: I still love God and Goddess. I know, without a doubt, that the Divine One still loves us. She grieves for us. She waits and watches for us to love.

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